Wednesday, 17 June 2009

Summer with the Colour Deep-Sky Mintron

Colour Deep-Sky Mintron imaging

The MTV-73S85HP-EX-SW-R colour deep-sky Mintron was used at the Prime focus of an f/4.8 10 inch Newtonian to image M57 and M13 and with a 0.5 focal reducer for M51.

The Video was recorded to DVD including dark-frame video and then played back through a capture card and recorded by GStar as an AVI capturing a frame every 5.5s. The dark frame was scaled and used in Registax to correct the registered and stacked frames:
The Ring Nebula M57

At the prime (Newtonian) focus

The Whirlpool galaxy M51

With a 0.5 focal reducer


At the prime (Newtonian) focus

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Thursday, 11 June 2009

Using a Mintron with a scope on an Altazimuth mount

De-rotating a set of Mintron images
A problem with using altazimuth mounts for imaging is that long exposures result in image rotation.

This demonstration was done with a DVD recording of M42 using an 80mm f/5 achromat refractor and an MTV-73S85HP-EX-SW-R colour deep-sky Mintron mounted on a Merlin altazimuth driven mount. Images were captured and combined so that in the resulting stacked image there was no rotation within the image. This was done by experiment and then 4 such stacked images were captured in succession. Although there was no rotation within each stacked image, the images were not derived from many integrated frames. When the 4 images were themselves stacked in Registax, the resulting image showed considerable image rotation.

Image Rotation when simply stacked in Registax
The stars have trailed out into little arcs.

Deep Sky Stacker

However, the freeware software Deep Sky Stacker will de-rotate the images with respect to each other before they are stacked. This was done with the same 4 images and the resulting stacked image showed no rotation, the detail was not motion blurred and the image had a higher signal to noise ratio.

Image produced by Deep Sky Stacker

Deep Sky Stacker does not have the sophisticated wavelet processing posessed by Registax but the de-rotation of images with respect to each other before they are stacked gives more power to an altazimuth mount as an imaging tool in combination with a Mintron or other camera.

Dont forget to click on 'Older Posts' or 'Newer posts' below or browse the 'blog archive' on the left, or click on 2009 to see all of the posts for this year on one page.

Wednesday, 10 June 2009

Scaling Mintron darkframes

Capturing an AVI of M101 with GStar
GStar is a freeware AVI capture program written by Steve Massey.

The virtue of this program when capturing AVIs from a frame-integrating camera is that it can be set to capture a frame after a set number of seconds and to concatonate the frames thus captured into an AVI file. As with HandyAVI, this allows the integrated frames to be captured without duplication. Both of these programs work with Windows Vista.

I had captured Video of M101 to DVD with a MTV-23S85HC-EX-R monochrome deep-sky Mintron, at High Quality as in the previous post.
Here I used GStar to capture 200 frames from the DVD recording and store them as an AVI.

GStar capture screen
The characteristic Amp Glow can be seen to the left and top of the image.

I also had captured Dark-frame video to DVD and I used GStar to capture 50 integrated dark-frames to AVI. I stacked the 50 frames in Registax 5 and the result is a dark -frame in which the amp glow is clearly seen as well as vertical banding.
Dark-Frame produced by Registax
If the image AVI is stacked in Registax without using dark-frame correction, the resulting image shows the amp-glow and the vertical banding artifacts
Stacked image data with no dark-frame correction

However, if the dark-frame generated by stacking the dark-frame data is used as the dark-frame in Registax, the correction can be seen to be over compensated and where the amp-glow showed, now that part of the image is too dark. This is because the 256 frame integrating Mintron camera still auto compensates when the scope is covered to produce dark-frame data even if the AGC is set to OFF.
Stacked image using the raw dark-frame

The solution is to scale the dark-frame so that it compensates exactly the correct amount.
This can be done easily if the capturing and registering is being done on the fly in AstroVideo. However, a different approach is needed if other software is used for capture. The scaling must be done by trial and error although it doesn't take long to get the correct degree of scaling.
The dark-frame must be scaled down before it is used in Registax. If it is scaled by the right amount, the resulting image will be properly corrected.
Image resulting from using a dark-frame scaled to 0.56 of its original value.
Scaling a dark-frame using Arithmetic in Paintshop Pro

In this example, the dark-frame is added to itself and then divided by 3. The resulting image is 0.666 of the brightness of the original dark-frame.

The table below shows a simple scheme starting with a dark-frame for generating variously scaled darkframes. This table can easily be extended to produce various levels of scaling:

Table for generating scaled dark-frames using Image Arithmetic

Dont forget to click on 'Older Posts' or 'Newer posts' below or browse the 'blog archive' on the left, or click on 2009 to see all of the posts for this year on one page.